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Yuri Kudryavtsev-Dobrohotov

Yuri Kudryavtsev-Dobrohotov

Moscow

Medium:
  • Paintings

Direct Sales: 29
Auctions: 0

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about the artist

• I date the beginning of my painting practice and study by the year of 1965 – in my 21. At that time I was a student, learning languages, diplomacy and other sciences in the Moscow Institute of International Relations. Soon, after working in Embassy in the Sudan (1967) and then in Syria, I preferred, since 1970, to teach language at the same Institute – in order to devote more time and attention to painting and drawing exercises. I managed to proceed with that line even during my short visits to Algeria, Morocco, Kuwait and my directorship of the Russian Cultural Center in Cairo (1993-95), where I built a kind of studio.

• But at the very beginning I took courses at Surikov Institute studios in Moscow (1973-74), then at Repin Academy studios and Mukhina Art Institute in St. Petersburg (1976). Being a young artist, then I made a race of exhibition participations with getting diplomas, presentations and purchases here and abroad, and was admitted to the Young Painters’ Association of Moscow Art Union (1975). It was very interesting and useful period when I contacted with famous Russian painters – Aleksandr Labas and Tatiana Yablonskaya, and all those years painted at Artists’ House in Sednev on the river Snov, Ukraine.

• Generally, my art involvement began during the school years, but then I was fully fascinated with poetry and drawing. So that on graduating the secondary school in 1963 I had dozen of poems and one personal exhibition of drawings. That exhibition exposed a kind of plasticity and rhythms, which first had appeared in my sketches done from the board of the “Anton Chekhov” steamer in 1960, when I rushed to draw the banks, churches and ships on the rivers Volga and Kama ( www.symchromism.com/graf/s3.php ). I suppose that, as an artist, I've awaked on the board of that steamer, in my 16, traveling with my mother by the rivers Volga and Kama.

• The poetry of life attitudes, which makes us artists, is a thing which we inherit. Thus, I was surprised how near I could be with my father, first of all in the vision of life and then in the drawing, when, after his death, I found two notebooks with about hundred of father’s sketches which he made at the fronts of the World War I in 1915-17, where he was taken to from the St. Petersburg Polytechnic University ( www.symchromism.com/fam01/index_1.php ).

• So, I began to practice the painting after a period of drawing, which I continued side by side with the painting. I am sure the drawing and life sketches enrich the painting with plasticity, movement and innovations.

• More than this: life sketches so much influence our painting and our vision as a whole, that I often associate it with Walt Whitman’s poetry.

• On the other hand, color is as near to me as music. And I look at every new and compound color gamut and harmonious composition like at a mute symphony. Out of this, I call my painting method: “symchromy” or the “symchromism”.

artists' statement

• My aesthetic credo for the 3rd millennium painting:

complicated harmonies of derived color multitudes - "symchromism" - in abstract, realistic and mixed methods of the "color-composition" painting.

• I have come to the abstract improvisation especially due to my greatest passion for the landscape painting. The example of the Nature that creates so freely an infinite diversity of forms and colors, encourages to follow it and try to compose original color harmonies in their various inner plasticity as well as wonderful combinations of new colorful forms, - without imitating any objects. Thus it could give most human heart to most abstract art.

• In “symchromism” I find color and formal joint plasticity innovations, trying to be constructive and expressive in definite and compound “color compositions”. At the same time I reject monochromatic harmonies and subdivided pallets, backgrounds and dominant color fragments, purely decorative and well-known color combinations, open colors and all kinds of formal and color recurrences, – because those contradict "color composition", plasticity and interaction of its colorful spiritual correlations.

• Last purchased piece of mine - "Red Angel. (M. Gorbachev)", exhibited in Germany: http://www.galby.narod.ru/un/Ynk3011_01.html•

Questions email to: kudrar@yandex.ru


artists' work

direct sale pieces

The Sunset Road. Crimea - Karadag.
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The Sunset Road. Crimea - Karadag.

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38 cm x 35 cm

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Overgrown Pond In Ancient Park.
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Overgrown Pond In Ancient Park.

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94 cm x 112 cm

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The Sunny River (The Snov - Ukraine).
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The Sunny River (The Snov - Ukraine).

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$7,500.00

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45 cm x 35 cm

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Woman And Man. Conception.
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Woman And Man. Conception.

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86 cm x 111 cm

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July Evening.
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July Evening.

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43 cm x 34 cm

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Morning Near The River.
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Morning Near The River.

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87 cm x 100 cm

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Haystack Over The River Snov. Afternoon.
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Haystack Over The River Snov. Afternoon.

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$13,000.00

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46 cm x 35 cm

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Birch In The Willow's Glow.
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Birch In The Willow's Glow.

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43 cm x35 cm

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The Love Embrace.
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The Love Embrace.

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90 cm x 78 cm

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Shadow Over The Deep Water.
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Shadow Over The Deep Water.

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45 cm x 35 cm

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Weeds, Bushes & Trees At Sunset.
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Weeds, Bushes & Trees At Sunset.

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100 cm x 85 cm

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The Snov River In A Hot Day.
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The Snov River In A Hot Day.

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35 cm x 42 cm

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Hot Russian Soul & Self-Digging.
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Hot Russian Soul & Self-Digging.

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$13,000.00

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95 cm x 100 cm

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The Ukrainian Sun. (In Sednev)
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The Ukrainian Sun. (In Sednev)

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$9,000.00

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42 cm x 35 cm

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Full Moon Lady.
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Full Moon Lady.

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75 x 100 cm

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Storm In The Frog Bay. Karadag, Crimea.
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Storm In The Frog Bay. Karadag, Crimea.

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$11,000.00

dimensions:

49 cm x 35 cm

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Cows' Paths. (Klochkov - Ukraine)
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Cows' Paths. (Klochkov - Ukraine)

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$17,000.00

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63 cm x 78 cm

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Clouds Over The River.
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Clouds Over The River.

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38 cm x 35 cm

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Moscow Summer.
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Moscow Summer.

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$21,000.00

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100 cm x 100 cm

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The Evening Sun Glamor. (Sednev - Ukraine)
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The Evening Sun Glamor. (Sednev - Ukraine)

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dimensions:

45 cm x 34 cm

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Autumn Forms. In Nikulino Park, Moscow.
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Autumn Forms. In Nikulino Park, Moscow.

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70 x 50 cm

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Jumping Horse.
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Jumping Horse.

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123 x 77 cm

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Corn Field.
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Corn Field.

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121 x 76 cm

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Little Tree In The Snov River. Ukraine.
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Little Tree In The Snov River. Ukraine.

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$9,000.00

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42 x 35 cm

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Farewell Of The Sun.
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Farewell Of The Sun.

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43 x 35 cm

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The Klyazma Near Bezdedovo.
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The Klyazma Near Bezdedovo.

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$7,000.00

dimensions:

60 x 45 cm

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Holy Trinity. Love, Hope & Faith.
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Holy Trinity. Love, Hope & Faith.

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$9,000.00

dimensions:

100 x 87 cm

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Crimea, Karadag. Near The Crab Cape.
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Crimea, Karadag. Near The Crab Cape.

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$4,000.00

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43 x 35 cm

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The Shady Bank.
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The Shady Bank.

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$4,000.00

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43 x 35 cm

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media interviews

coming soon

white papers

"On The Road To A "Colour Composition" - Master Class - Yuri Kudryavtsev - An article in the "ART COUNCIL" magazine, #6 (52) 2006

exhibition reviews

coming soon

studio tours

coming soon

audio interviews

coming soon

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